“Contents,” Ensign, Feb. 1975, 1 Ensign February 1975 Volume 5 Number 2 Contents Special Features First Presidency Message: The Marriage DecisionPresident Spencer W. Kimball Elder L. Tom Perry of the Council of the TwelveLee Perry Area Conference in Southern South AmericaThe South American MissionThe Church in ArgentinaThe Church in BrazilThe Church in ChileThe Church in Uruguay and Paraguay A Week in the Life of the DenzelersNelson Aidukaitus and José Prezado de Jesús Simon PeterRichard Lloyd Anderson Footnotes to the GospelsS. Kent Brown, C. Wilfred Griggs, and Thomas W. Mackay When Sibling Rivalry StrikesDarnell Zollinger Refreshing IdeasPamela S. Williams My Worst Enemy—Me!By Kay Newman As told to Sharon B. Elwell We Didn’t Call It Physical FitnessSherri Zirker From Milk to MusicJanet B. Seegmiller Regular Features PoetryAkin to Palm Vyvyan M. HensonA Pause in the Conversation Maureen CannonThe Call of Melchizedek Joel PasseyChange Christie Lund Coles Mormon JournalThe Book of Mormon Taught Me to Read Irma de MackennaThe Night the Stars Came Close Corina N. BassThe Change in My Father Estilla AyalaI Gave Them My Mother’s Address Aline F. SiegristHow Our Friends Blessed Us César Guerra I Have a QuestionAvraham GileadiRussell R. Rich Random Sampler Mirthright Keeping PaceMPMIA: The Ward Is Where It’s AtHappy Children in Relief Society Nurseries Comment News of the Church Insights Washington Temple Mural On the cover: The Saints in Argentina, Brazil, Chile, Paraguay, and Uruguay Inside back cover: The Washington Temple Mural. Painted by John Scott. Prior to a conference in September 1830, the Prophet Joseph Smith, in the presence of six other elders, received a revelation about the second coming of Christ. At that time the Lord revealed, “And the righteous shall be gathered on my right hand unto eternal life; and the wicked on my left hand will I be ashamed to own before the Father.” (D&C 29:27.) This division of the righteous and wicked, which will precede Christ’s own reign of peace, is the subject of a painting in the new Washington Temple—a 10′ x 30′ mural in the oval reception area just inside the temple. The mural was painted by John Scott of Ridgefield, Connecticut, who has been commissioned by the Church to execute several paintings. Those on Christ’s right band represent all races and nationalities, including young and old, kings and paupers. They move eagerly toward Christ or kneel in worship. Those on his left hand, also representing all races and nationalities, turn away in anguish amid stones and ruined buildings. Following Christ, who is the focus of the scene, are great masses of people dressed in white. The Washington Temple itself is part of the background.