“After All,” Ensign, May 1972, 112
After All
Life Among the Mormons: MIA
By Virginia Maughan Kammeyer
It’s almost seven thirty:
The music starts to play;
The teachers take their places;
It’s time for MIA.
The superintendent is seated
His officers amid.
The chorister is ready—
But where is every kid?
The Beehive girls are reading
A bunch of comic books.
The Mia Maids are checking
Each other’s hair and looks.
A group of noisy Boy Scouts
Is playing basketball;
The Laurels and Explorers
Are talking in the hall.
It’s evident to leaders
And teachers put-upon
The youth of the noble birthright
Know how to carry on!
Next month: Summer Camp
Said a four-year-old, in a family home evening closing prayer: “And help us to be patient when Mom says, ‘Just a minute.’”
—Glenda Hecht, Gomaringen, West Germany
God Talks to Children
By Lorraine Tolman Pace
God talks to children, this I know,
For with my children it is so.
How else could infant souls teach me
So much about eternity?
Sign on a Harvard University bulletin board, during the wage and price freeze: “The wages of sin are not frozen.”
—Joel C. Peterson, Boston, Mass.
“Office clothes a man. It rests as a coat upon his shoulders. Beneath and within is the man himself, never wholly hidden. If the man be strong and righteous, his office is well administered; if weak or wicked, every official act will be tainted. In human affairs, men, not offices, are of first consideration.”
Elder John A. Widtsoe
Of the Council of the Twelve
“How can we tell the Church of Christ?” asked a Junior Sunday School teacher. One small hand crept up, and a timid voice replied, “It’s the building with all the lights on every night except Monday night.”
—R. Earle Sanders, Ogden, Utah
The Phantom Accompanist
By Bernice Jacobs Manwaring
Have you seen that apparition
(One meets it everywhere)—
A most perplexing phantom,
The pianist who isn’t there?
Miss Thomas sings soprano,
Miss Jensen plays the flute,
Tom Johnson plays the trumpet,
Jan Jackson plays the lute.
And each of these performers
Is aided and abetted,
After hours of toil and practice
(Time spent was not regretted),
By one who all too often
Remains, alas, unnamed,
Our good old friend Anonymous—
Praised? Perhaps. (If bad, she’s blamed.)
Since seldom is she recognized
From programs, pulpits, stands,
One must assume the piano
Is played by angels’ hands.
“Pianists Lib” unite, rise up!
Declare a full-time strike!
Let them all sing a cappella—
Stage a recognition strike!
If they bill a “cello solo,”
Let the solo, solo be,
Pianists stay unseen, unheard,
Until they also mention thee!