“Contents,” Ensign, Jan. 1975, 1 Ensign January 1975 Volume 5 Number 1 Contents Special Features First Presidency Message: Home: The Place to Save SocietyPresident Spencer W. Kimball The FarewellMildred Barthel Persecution, 1924Thomas J. Griffiths “Thou Shalt Bear Their Infirmities”: Meeting the Challenges of the Chronically IllWilliam G. and Bonnie H. Dyer 1975. What Will You Do with It?Spencer J. Condie Major Jewish Groups in the New TestamentVictor L. Ludlow Footnotes to the Gospels: The Sermon on the MountS. Kent Brown, C. Wilfred Griggs, and Thomas W. Mackay Symbols of the Harvest: Old Testament Holy Days and the Lord’s MinistryLenet H. Read “I Want to Be Somebody”Audra Call Moss The Saints in the Philippines GenerationsRoger K. Williams Warning Signs of InfidelityVeon G. Smith The Reel ThingPeter Czerny Regular Features I Have a Question DiscoveryTransatlantic Crossings: A New Look Paul R. CheesmanGood Homes, Good Students Mormon JournalThe Magazine on the Bench John MitchellCourage in a Wheelchair Lavina Fielding“Second-Hand Piano Patricia Layton Cundick Mirthright Insights Poetry: Lesson for the New YearJulie Juchau Random Sampler Comment Keeping Pace News of the Church The Migration over South Pass On the cover: A New Year of Service Inside back cover: The Migration over South Pass. From the Cody Wyoming Ward chapel mural. Painted by Edward T. Grigware. Used by permission of Glenn E. Nielsen. Hunger, sickness, and death were no strangers to any of the companies who crossed the plains to the Salt Lake Valley, but two of them—the Willie and Martin handcart companies—suffered the gravest hardships of any emigrants to the Salt Lake Valley. Leaving Florence, Nebraska (“Old Winter Headquarters”) too late in the summer to avoid what was to be an especially early and severe winter, their frail carts of unseasoned lumber continuously broke down and delayed their travel. By the time they reached South Pass, Wyoming, the scene portrayed in this painting, it was October. Before reaching the Salt Lake Valley on November 6, 1856, 77 of the 404 emigrants in the Willie Company had perished and perhaps twice that number had died in the Martin Company, which arrived nearly a month later. The cold blue-grey of winter twilight portrays the suffering and serves as mirror to the devotion of the pioneers in this scene from the Cody Wyoming Ward chapel mural, painted by the late Edward T. Grigware. Mr. Grigware, who was not a member of the Church, said of his work: “I have done my best … to show … the respect, love and affection that I hold in my heart for [the Mormons]. They are a great people.” Mr. Grigware later painted the Garden Room mural in the Los Angeles Temple and assisted in the mural and mosaic work on the buildings of the Brigham Young University Hawaii Campus.