A Touch of Glass

When Norman Rehme performs, it is crystal clear that his audience will be entertained. One of fewer than two dozen people worldwide who play the glass harp, Brother Rehme has performed in Europe and in several U.S. states.

Brother Rehme designed and built his elegant instrument, which consists of crystal goblets tuned individually by being cut and ground to pitch and then arranged chromatically. His water-dampened fingers stroke the rims to produce ringing six-note chords or delicate single-note cadences. “The type of music played on the glass harp can touch the heart and soul,” he says.

A bank trust officer by profession, Brother Rehme has played a major role in reviving the rare art form of glass harp playing, which reached the height of its popularity in the 1700s. He is cofounder and past president of Glass Music International, a worldwide organization dedicated to the promotion of glass music, and he has organized two international glass music festivals. His “glassy” act includes audience favorites such as “I Am a Child of God,” “Come, Come, Ye Saints,” and “Battle Hymn of the Republic.” Several years ago he recorded a CD of classical music and Christmas songs.

Brother Rehme, a member of the Loveland First Ward, Greeley Colorado Stake, believes it is important that Latter-day Saints be involved in the arts. “The arts, especially music, can promote the Spirit,” he says. “They help add perspective and balance to one’s life.”

When asked about his personal goal for his unusual talent, this busy father of four smiles, “To perform on Temple Square, of course!”—Carol McAdoo Rehme, Loveland, Colorado